R.I.P. Joe Zawinul

The jazz community lost a legend today-Joe Zawinul. He died from a rare form of skin cancer at the age of 75. From Yahoo/AP:

Zawinul won acclaim for his keyboard work on chart-topping Miles Davis albums such as "In A Silent Way" and "Bitches Brew," and was a leading force behind the so-called "Electric Jazz" movement.

In 1970, Zawinul and saxophonist Wayne Shorter founded Weather Report and produced a series of albums including "Heavy Weather," "Black Market," "I Sing the Body Electric," and the Grammy-winning live recording "8:30."

He is credited with bringing the electric piano and synthesizer into the jazz mainstream, but was frustrated by the lack of respect for electric keyboards and new technology among jazz purists.

"There is no difference between a Stradivarius or a beautiful synthesizer sound," Zawinul told Jazziz magazine earlier this year. "People make a big mistake in putting down electronic music. Yes, it's been misused and abused, but that's true of every music.

"There is nothing wrong with electronic music as long as you're putting some soul behind the technology."

Austrian Chancellor Alfred Gusenbauer praised Zawinul's "unpretentious way of dealing with listeners" and said he wasn't "blinded by superficialities."

Born in 1932, Zawinul grew up in a working-class family during World War II in the Austrian capital. He played accordion on the streets to make money and received classical piano training as a child prodigy at the Vienna Conservatory. In the postwar years, he grew interested in American jazz, playing in a dance band that included the future Austrian President Thomas Klestil and making a name for himself on the local jazz scene in bands led by saxophonist Hans Koller and others.

"One thing about Viennese musicians, they can really groove, more than even the German bands can," Zawinul said in a 2007 Downbeat magazine interview. "It's something in our nature, perhaps. We're cosmopolitan and interracial — Czech, Slavic, Hungarian, Romanian, Bulgarian, Turkish a little bit."

In 1959, Zawinul emigrated to the United States on a scholarship to study at the Berklee School of Music in Boston, but left to join Maynard Fergusion's big band. He next landed a gig with Dinah Washington; his funky piano can be heard on her 1959 hit "What a Diff'rence a Day Made."

Zawinul rose to international fame after joining alto saxophonist Cannonball Adderley's band in 1961. During his nine-year stint with the band, he composed such tunes as "Walk Tall," "Country Preacher," and most notably the gospel-influenced, soul-jazz anthem "Mercy, Mercy, Mercy," his first important recording on electric piano, which climbed the pop charts and won a Grammy for Adderley.

In the late '60s, Zawinul recorded with Davis' studio band, His tune "In a Silent Way" served as the title track for the trumpeter's first foray into the electric arena. Zawinul's composition "Pharoah's Dance" was featured on Davis' groundbreaking 1970 jazz-rock fusion album "Bitches Brew," which won Davis a 1970 Grammy for best jazz performance, large group or soloist with large group.

Weather Report enjoyed its biggest commercial success with the 1977 album "Heavy Weather" which featured Zawinul's catchy tune "Birdland," which became one of the most recognizable jazz hits of the '70s after it was also recorded by Maynard Ferguson and the vocal group Manhattan Transfer.

After Weather Report broke up in 1986, Zawinul went on to form The Zawinul Syndicate, which brought together a global village of musicians who recorded such albums at the Grammy-nominated "My People" (1996) and "World Tour" (1998).

R.I.P. Hilly Kristal

From CNN:

NEW YORK (AP) -- Hilly Kristal, whose dank Bowery rock club CBGB served as the birthplace of the punk rock movement and a launching pad for bands like the Ramones, Blondie and the Talking Heads, has died. He was 75.

Kristal, who lost a bitter fight last year to stop the club's eviction from its home of 33 years, died Tuesday at Cabrini Hospital after a battle with lung cancer, his son Mark Dana Kristal said Wednesday.

Last October, as the club headed toward its final show with Patti Smith, Kristal was using a cane to get around and showing the effects of his cancer treatment. He was hoping to open a Las Vegas incarnation of the infamous venue that opened in 1973.

"He created a club that started on a small, out-of-the-way skid row, and saw it go around the world," said Lenny Kaye, a longtime member of the Patti Smith Group. "Everywhere you travel around the world, you saw somebody wearing a CBGB T-shirt."

While the club's glory days were long past when it shut down, its name transcended the venue and become synonymous with the three-chord trash of punk and its influence on generations of musicians worldwide.

The club also became a brand name for a line of clothing and accessories, even guitar straps; its store, CBGB Fashions, was moved a few blocks away from the original club, but remained open.

"I'm thinking about tomorrow and the next day and the next day, and going on to do more with CBGB's," Kristal told The Associated Press last October.

Kristal started the club in 1973 with the hope of making it a mecca of country, bluegrass and blues -- called CBGB & OMFUG, for "Other Music For Uplifting Gourmandisers" -- but found few bands to book. It instead became the epicenter of the mid-1970s punk movement.

"There was never gourmet food, and there was never country bluegrass," his son said Wednesday.

Besides the Ramones and the Talking Heads, many of the other sonically defiant bands that found frenzied crowds at CBGB during those years became legendary -- including Smith, Blondie and Television.

Smith said at the venue's last show that Kristal "was our champion and in those days, there were very few."

Throughout the years, CBGB had rented its space from the building's owner, the Bowery Residents' Committee, an agency that houses homeless people.

In the early 2000s, a feud broke out when the committee went to court to collect more than $300,000 in back rent from the club, then later successfully sought to evict it. By the time it closed, CBGB had become part museum and part barroom.

At the club's boarded-up storefront Wednesday morning, fans left a dozen candles, two bunches of flowers and a foam rubber baseball bat -- an apparent tribute to the Ramones' classic "Beat on the Brat." A spray-painted message read: "RIP Hilly, we'll miss you, thank you."

Other survivors include his wife, Karen, and daughter, Lisa.

We should all be grateful he gave such wonderful music a chance to be heard. All the best to his family and friends.